Robyn Fernando
Ms. Robison
AP Literature Composition
September 4, 2009
The Picture of Dorian Gray
Plot Structure and Organization
The plot of The Picture of Dorian Gray, by Oscar Wilde, is one that is complicated and at the time wasn’t considered moral. It’s the story about a young, very good looking boy who trades his soul for never-ending youth, but didn’t realize what a terrible thing he was doing at the time. The story opens with a famous painter, Basil Hallward, showing his “best work” to his dear friend, Lord Henry Wotten. The portrait was of Dorian Gray, and it magnificently portrayed his beauty and boyhood. On their introduction, Lord Henry scared Dorian by bewildering him with a lecture of philosophy and telling him that when his youth left, he would have nothing. So when Basil finished the portrait and Dorian saw it, he wished, “If only it were I who was to be always young, and the picture that was to grow old! For that- for that- I would give everything!” And everything is exactly what he gave. Every sin he committed reflected upon the portrait until it grew too ugly that Dorian himself, tried to destroy it, but by destroying the painting and his soul, he destroyed himself and ended his own life while the portrait remained beautiful.
The novel is told through an anonymous narrator and it has a dark tone. The entire context is written in the present, regardless of the moments when any of the characters look back at a memory. It’s very well organized and does not jump around from different time periods. The chronological organization helps to make the book easier to understand, although Wilde’s writing style is complex. Wilde also organized the novel by using cause and effect. He explained in depth what caused Dorian Gray to exchange his soul for good looks, and then he slowly started to reveal the effects of his poor decision to the readers.
Style
The Picture of Dorian Gray was the only novel that Oscar Wilde ever published, so it was the first glimpse the public had into his writing style. When it was first published there was an uproar in the people because some of the events in the novel were considered immoral. During the 1800s when it was first published, the public was startled at how profoundly Wilde bashed art, saying that it is only surface material and something beautiful to look at that holds no deeper meaning, and that “all art is quite useless”. The 1800s was the period where emotional art was first introduced, and many people admired the beauty and “saw” the depth to the meaning. Oscar Wilde used his characters in the novel to reveal how he truly felt about certain things. He even addressed his own “homosexuality” through his homoerotic bonds between the male characters. If not for Basil’s adoration toward Dorian, the portrait would never have been painted. And if Lord Henry wasn’t fixed on changing Dorian into what he wanted him to be, then Dorian would never have made the wish to give up his soul. Wilde, like the character Basil, put a great deal of himself into his work saying that, “Basil is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be- in other ages, perhaps.” After reading the novel, I cannot agree more with him.
In his writing, Wilde uses a very descriptive style. Things that would take others perhaps a few words to say are drawn out onto pages when he describes them. For example, in the part of the novel where Dorian becomes fascinated with treasure because of its undying beauty, Wilde describes the treasure that Dorian likes in six pages. Not only does he tell what the treasure is, but he also sites who it belonged to and where. Although his eloquent style can be burdensome to read, Wilde’s ability to make something so plain into something exquisite is breathtaking. His description of birds in the park make the animals seem like the most stunning creatures in the world. Throughout the entire novel, he turns the ordinary into extraordinary.
At points, the novel is easy to follow because there are long dialogue passages, but the introduction of new character that are too alike is hard to follow. Also Wilde’s sections on philosophy can drag on for a long time and it gets really hard to stay focused on the main subject.
Literary Devices
Oscar Wilde uses an abundance of literary devices in the novel, including allusion, irony, and symbolism. In the first chapter, Dorian is compared to the Greek mythological characters Adonis and Narcissus. Adonis was a very handsome man who captured the love of the goddess of beauty, and Narcissus was a young man gifted with looks as well, but fell in love with his own reflection due to gazing at himself for too long. The literary allusions to Greek mythology are very suitable for the novel because they correctly portray the character Dorian Gray.
There are a few symbols in the novel, but the main one is the yellow book that Lord Henry gives Dorian. Unfortunately, the title of the book was never revealed. The book is about a man who seeks pleasure and the beauties in the world, and as Dorian can greatly relate to him, he becomes quite obsessed with the book. He gets it printed several times and binds them in different colors. Dorian lives by the book and it becomes like a blueprint for his own life, and he bases his actions off of it. This book is what made Dorian seek after beautiful things and pleasure, so it ultimately lead to damage to his soul. The books appeals to the whole art theme to the novel, showing how dangerous art can be to some people.
At the beginning of the novel, both Basil and Lord Henry visualize Dorian Gray as a young man whose soul and body are in harmony. They see him as a pure, innocent young boy who could do no wrong. The main irony in the novel is that both of their visualizations of Dorian cause his soul and body to separate. His body remains untouched by age, and his soul grows older and uglier by each sin he commits, as shown by the painting.
Central Theme
The central theme of The Picture of Dorian Gray is first established in the prefix of the novel. The prefix goes into depth about art; its creator, purpose, and ultimately how it’s useless. The entire novel focuses around two pieces of art: the portrait of Dorian that Basil Hallward painted and the yellow book Lord Henry gave to Dorian as a gift. The painting is brought into account in almost every chapter and it’s used as a mirror that shows Dorian the physical state of his soul, although his body has is spared. The yellow book lays the foundation for Dorian’s later actions. He turns to the book for everything and it leads him down the path of self pleasure and superficial items. It also leads him into admiring items that hold beauty, which is another main theme to the novel.
In the prefix, Wilde exposed how art was only something that held beauty and no other value. Throughout the novel, beauty is an aspect that is at utmost importance. The second Basil reveals his painting of Dorian to Lord Henry, Lord Henry becomes is filled with yearning to meet Dorian and seduce him. Upon meeting Dorian, he tells him the philosophy of life and, how someday Dorian’s most prized characteristics will fade away. Dorian lived in a society where youth and good looks were precious features. He gave everything he had to be beautiful and young, and in the end, he paid a very high price for his beauty: his soul, while the portrait remained beautiful.
The main theme that led to harmful results was the aspect of influence. The desire that fueled Basil’s painting was the influence that Dorian held over him. Basil completely idolized him and his adoration of Dorian ultimately led to Basil’s murder. Lord Henry also influenced Dorian. From the first time he met him, Lord Henry began influencing him with stories about life and its true meaning. He gave Dorian the yellow book that influenced Dorian to look at beauty as a most prized possession, and it caused Dorian to give up something very important in order to maintain his attractive, young state. In the novel, the influence that one character held over another led to that person’s devastation.